| No. | Last Name | First Name | Title | Year | Full Record |
|---|---|---|---|---|---|
| 597 | ACTT | Workshop Declaration | 1984 | Full Record | |
| 1 | Adepegba | Ade | Blackchat: UK Black Film Makers in Pursuit of an Audience | 1993 | Full Record |
| 461 | Aduaka | Newton | The Cool Head Behind Rage | 2000 | Full Record |
| 502 | Aduaka | Newton | The Edge of Getting It On | 1997/98 | Full Record |
| 566 | Aduaka | Newton | Rage against the Machine | 2001 | Full Record |
| 491 | Akomfrah | John | Wishful Filming | 1993 | Full Record |
| 43 | Akomfrah | John | Black Independent Film-making: A Statement by the Black Audio/Film Collective | 1983 | Full Record |
| 72 | Akomfrah | John | Introductory Address to Third Scenario: Theory and Politics of Location | 1989 | Full Record |
| 455 | Akomfrah | John | Respondents: John Akomfrah | 2000 | Full Record |
| 436 | Alexander | Karen | Black British Cinema in the 90s: Going Going Gone | 2000 | Full Record |
| 41 | Alexander | Karen | Film and Video Workshops: Production and Images | 1983 | Full Record |
| 117 | Andrade-Watkins, ed. | Claire | Blackframes: Critical Perspectives on Black Independent Cinema | 1988 | Full Record |
| 80 | Ang | Ien | Desperately Seeking the Audience | 1991 | Full Record |
| 547 | Anonymous | Channel 4's the Ba Ba Zee | 1999 | Full Record | |
| 559 | Anonymous | Dog Eat Dog | 2001 | Full Record | |
| 530 | Anonymous | Distributing Black British Films | 1999 | Full Record | |
| 520 | Anonymous | Home From Home | 1993/94 | Full Record | |
| 519 | Anonymous | The Indispensable Information Feature: Three Producers | 1993 | Full Record | |
| 585 | Antor | Heinz | Contrast, Hybridity, and the Other: "Sammy and Rosie Get Laid" as Contemporary Postcolonial Critique | 2003 | Full Record |
| 599 | Anwar | Farrah | Bhaji on the Beach | 1994 | Full Record |
| 81 | Anwar | Muhammad | Television in a Multiracial Society: A Research Report | 1982 | Full Record |
| 497 | Anwar | Yasmin | The Perennial Search for Identity | 1996 | Full Record |
| 202 | Araeen | Rasheed | Black Art: A Discussion with Eddie Chambers | 2000 | Full Record |
| 83 | Armes | Roy | Third World Filmmaking and the West | 1987 | Full Record |
| 252 | Arnold | Kevin | A Fuller Picture: The Commercial Impact of Six British Films with Black Themes in the 1990s | 1999 | Full Record |
| 47 | Arroyo | José | Look Back and Talk Black: The Films of Isaac Julien | 1991 | Full Record |
| 383 | Arts Council | of Great Britain | Whose Heritage? The Impact of Cultural Diversity on Britain's Living Heritage | 1999 | Full Record |
| 572 | Arts Council of England | Cultural Diversity Action Plan | 1998 | Full Record | |
| 446 | Aryeetey | Joel | Life with Rituals | 2000 | Full Record |
| 49 | Association of Black Film | and Video Workshops | The Association of Black Film and Video Workshops: Brochure | 1988 | Full Record |
| 403 | Attille | Martina | The Passion of Remembrance: Background | 1988 | Full Record |
| 86 | Attille | Martina | Young, British and Black: The Sankofa Film and Video Collective | 1986-87 | Full Record |
| 2 | Attille | Martina | Black Women and Representation | 1986 | Full Record |
| 87 | Auguiste | Reece | Handsworth Songs: Some Background Notes [and Interview] | 1988 | Full Record |
| 354 | Auguiste | Reece | Black Independents and Third Cinema: The British Context | 1989 | Full Record |
| 309 | Back, ed. | Les | Theories of Race and Racism: A Reader | 1999 | Full Record |
| 472 | Bailey | Ain | New Imaginings | 1994 | Full Record |
| 201 | Bakari | Imruh | A Journey from the Cold: Rethinking Black British Film-Making in Britain | 2000 | Full Record |
| 256 | Bakari | Imruh | Horace Ové: Living with Pressure | 1998 | Full Record |
| 605 | Baker | Monika | Bend It Like Beckham: A Distributor's Dream | 2002 | Full Record |
| 561 | Baker | Monika | Who's Cooking? | 2001 | Full Record |
| 90 | Baker, Jr., ed. | Houston | Black British Cultural Studies: A Reader | 1996 | Full Record |
| 4 | Bald | Suresht R. | Coping with Marginality: South Asian Women Migrants in Britain | 1995 | Full Record |
| 92 | Barot, ed. | Rohit | Ethnicity, Gender and Social Change | 1999 | Full Record |
| 450 | Bedell | Geraldine | West End Boy | 2002 | Full Record |
| 435 | Beishon | Sharon | Changing Ethnic Identities | 1994 | Full Record |
| 562 | Bellos | Linda | The British Film Industry: Is Norman Tebbit Right? | 1998 | Full Record |
| 571 | Bellos | Linda | What is a Black Film? | 1998 | Full Record |
| 95 | Bennett, ed. | David | Multicultural States: Rethinking Difference and Identity | 1998 | Full Record |
| 96 | Bernasconi, ed. | Robert | Race | 2000 | Full Record |
| 98 | Bhabha | Homi | The Location of Culture | 1994 | Full Record |
| 356 | Bhabha | Homi | The Third Space | 1990 | Full Record |
| 97 | Bhabha | Homi | The Other Question: The Stereotype and Colonial Discourse | 1983 | Full Record |
| 99 | Bhat, ed. | Ashok | Britain's Black Population: A New Perspective | 1988 | Full Record |
| 7 | Bhattacharyya | Gargi | Gurinder Chadha and The 'Apna' Generation: Black British Film in the 1990s (Interview) | 1994 | Full Record |
| 567 | Bhattacharyya | Sonali | East Goes West: British Asian Themed Film, East is East, Smashes Box Office | 2000 | Full Record |
| 575 | Birke | Cora | Taking a Different Angle: Perspectives on the Depiction of Women in Black British Independent Film of the 1980s | 2002 | Full Record |
| 102 | Blackstone, ed. | Tessa | Race Relations in Britain: A Developing Agenda | 1998 | Full Record |
| 2 | Blackwood | Maureen | Black Women and Representation | 1986 | Full Record |
| 3 | Blackwood | Maureen | Black Film-Making in Europe | 1988 | Full Record |
| 372 | Blanchard, ed. | Simon | What's This Channel Fo(u)r? An Alternative Report | 1982 | Full Record |
| 8 | Blaney | Martin | England (Interview with Maureen Blackwood) | 1987 | Full Record |
| 589 | Blunkett | David | What Does Citizenship Mean Today? | 2002 | Full Record |
| 104 | Bobo, ed. | Jacqueline | Black Feminist Cultural Criticism | 2000 | Full Record |
| 103 | Bobo, ed. | Jacqueline | Black Women Film and Video Artists | 1998 | Full Record |
| 105 | Böhmer | Ines Karin | "My Beautiful Laundrette" und "Sammy and Rosie Get Laid": Filmische Reflexion von Identitätsprozessen | 1996 | Full Record |
| 40 | Boothe | Claudine | Friday Alternative: Black Contributing Groups Face a Dilemma | 1983 | Full Record |
| 9 | Boothe | Claudine | The Ten Year Glitch | 1992 | Full Record |
| 107 | Bourne | Stephen | Black in the British Frame: Black People in British Film and Television 1896-1996 | 1998 | Full Record |
| 578 | Bourne | Stephen | Caribbean Presence on BBC Television and Radio: A Chronology 1948-98 | 2000 | Full Record |
| 499 | Bourne | Stephen | Windrush: The Hot Ten | 1997/98 | Full Record |
| 598 | Bourne | Stephen | Newton I. Aduaka and "Rage" | 2001 | Full Record |
| 548 | Bourne | Stephen | Interview with Sandra Hebron and Cary Rajinder Sawhney | 2000 | Full Record |
| 515 | Bourne | Stephen | Staying Power | 1998 | Full Record |
| 521 | Bourne | Stephen | Hidden Treasures | 1999 | Full Record |
| 535 | Bourne | Stephen | Greater Expectations | 1999 | Full Record |
| 92 | Bradley, ed. | Harriet | Ethnicity, Gender and Social Change | 1999 | Full Record |
| 108 | Brah, ed. | Avtar | Thinking Identities: Ethnicity, Racism and Culture | 1999 | Full Record |
| 486 | Brewster | Joe | US/UK Perspectives | 1993/94 | Full Record |
| 384 | British Film Institute | Ethnic Notions: Towards a Cinema of Cultural Diversity | 1998 | Full Record | |
| 616 | British Film Institute | Towards Visibility: A Three-Year Cultural Diversity Strategy | 2000 | Full Record | |
| 614 | British Film Institute | Black British Film and Television | 2000 | Full Record | |
| 617 | British Film Institute | Bigger Than Bollywood | 2003? | Full Record | |
| 580 | British Film Institute | Black and Asian Film Research | 2000 | Full Record | |
| 385 | Broadcasting Standard | Council | The Portrayal of Ethnic Minorities on Television | 1992 | Full Record |
| 110 | Brown | Colin | Black and White Britain: The Third PSI Survey | 1984 | Full Record |
| 590 | Brunsdon | Charlotte | Introduction/Appendix | 1986 | Full Record |
| 112 | Bryan | Beverly | The Heart of the Race: Black Women's Lives in Britain | 1985 | Full Record |
| 448 | Burton | Chris | Positive Moves | 1999 | Full Record |
| 113 | Butler | Alison | Handsworth Songs | 1988 | Full Record |
| 307 | Cabot, ed. | Anne M. | Theories of Ethnicity: A Classical Reader | 1996 | Full Record |
| 307 | Cabot, ed. | Henry B. | Theories of Ethnicity: A Classical Reader | 1996 | Full Record |
| 114 | Carby | Hazel | Cultures in Babylon: Black Britain and African America | 1999 | Full Record |
| 514 | Carol | Magdalen | Nurturing the Talent: Breaking the Mould | 1998 | Full Record |
| 99 | Carr-Hill, ed. | Roy | Britain's Black Population: A New Perspective | 1988 | Full Record |
| 115 | Castles | Stephen | Citizenship and Migration: Globalization and the Politics of Belonging | 2000 | Full Record |
| 386 | Centre for Contemporary | Cultural Studies | The Empire Strikes Back | 1982 | Full Record |
| 117 | Cham, ed. | Mbye B. | Blackframes: Critical Perspectives on Black Independent Cinema | 1988 | Full Record |
| 118 | Chambers | Iain | Migration, Kultur, Identität [Migrancy, Culture, Identity] | 1996 | Full Record |
| 10 | Charles | Moremi | Bacchanal or 'Black and Banal' | 1984 | Full Record |
| 600 | Chatterjee | Ranita | An Explosion of Difference: The Margins of Perception in "Sammy and Rosie Get Laid" | 1996 | Full Record |
| 314 | Childs, ed. | Peter | British Cultural Identities | 1997 | Full Record |
| 433 | Chrisafis | Angelique | Showbusiness Cashes In as Asian Arts Join Mainstream | 2002 | Full Record |
| 120 | Chrisman | Laura | Journeying to Death: Gilroy's "Black Atlantic" | 2000 | Full Record |
| 119 | Christian | Mark | Multiracial Identity: An International Perspective | 2000 | Full Record |
| 541 | Chua | Laurence | Double Feature | 1994 | Full Record |
| 46 | Ciecko | Anne | Representing the Spaces of Diaspora in Contemporary British Films by Women Directors | 1999 | Full Record |
| 122 | Cohen, ed. | Philip | It Aint Half Racist, Mum: Fighting Racism in the Media | 1982 | Full Record |
| 12 | Cohen, ed. | Philip | Gefährliche Erbschaften: Studien zur Entstehung einer multirassistischen Kultur in Großbritannien | 1990 | Full Record |
| 124 | Collins | Richard | Television: Policy and Culture | 1990 | Full Record |
| 11 | Collins | Richard | White and Green and Not Much Read: The White Paper on Broadcasting Policy | 1989 | Full Record |
| 388 | Commission for Racial | Equality | Criminal Justice in England and Wales: CRE Factsheets | 1999 | Full Record |
| 125 | Corner, ed. | John | Popular Television in Britain: Studies in Cultural History | 1991 | Full Record |
| 579 | Corrigan | Timothy | A Cinema Without Walls: Movies and Cultures after Vietnam | 1992 | Full Record |
| 127 | Cowell, ed. | David | Policing the Riots | 1982 | Full Record |
| 128 | Cripps | Thomas | Black Film as Genre | 1978 | Full Record |
| 13 | Crusz | Robert | Black Cinemas, Film Theory and Dependent Knowledge | 1985 | Full Record |
| 14 | Currie | Tony | Identity Parade | 1994 | Full Record |
| 112 | Dadzie | Stella | The Heart of the Race: Black Women's Lives in Britain | 1985 | Full Record |
| 504 | Daniels | Carl | Family Values | 1997/98 | Full Record |
| 533 | Daniels | Carl | Sikhs | 1999 | Full Record |
| 507 | Daniels | Carl | East is East | 1996 | Full Record |
| 505 | Daniels | Carl | For Laughs | 1997/98 | Full Record |
| 536 | Daniels | Carl | Stephen Lawrence: A London Programme Special | 1999 | Full Record |
| 510 | Daniels | Carl | Channel of Resistance | 1997 | Full Record |
| 511 | Daniels | Carl | The Full Story | 1997 | Full Record |
| 513 | Daniels | Carl | At Last the Right Stuff | 1997 | Full Record |
| 527 | Daniels | Carl | Untold | 1999 | Full Record |
| 534 | Daniels | Carl | Editorial | 1999 | Full Record |
| 58 | Daniels, ed. | Therese | The Colour Black: Black Images in British Television | 1989 | Full Record |
| 379 | Danino | Nina | Questions of Language: Gililan Swanson, Carole Enahoro, Lina Gopaul, Frank Abbott | 1988 | Full Record |
| 380 | Danino | Nina | Sexual Identities: Questions of Difference: Kobena Mercer, Jacqueline Rose, Gayatri Spivak, Angela McRobbie | 1988 | Full Record |
| 381 | Danino | Nina | Aesthetics and Politics: Working on Two Fronts? Martina Attille, Reece Auguiste, Peter Gidal, Isaac Julien, Mandy Merck | 1988 | Full Record |
| 377 | Danino | Nina | Canvassing the Field | 1997 | Full Record |
| 115 | Davidson | Alastair | Citizenship and Migration: Globalization and the Politics of Belonging | 2000 | Full Record |
| 131 | Davies | Carole Boyce | Black Women, Writing and Identity | 1994 | Full Record |
| 431 | Derecki | Krysia | Twelve Bollywood Projects Shoot in UK This Year | 2000 | Full Record |
| 132 | Dhillon-Kashyap | Perminder | Locating the Asian Experience | 1988 | Full Record |
| 133 | Diakité | Madubuko | Film, Culture and the Black Filmmaker: A Study of Functional Relationships and Parallel Developments | 1980 | Full Record |
| 200 | Diawara | Manthia | Black British Cinema: Spectatorship and Identity Formation in Territories | 1996 | Full Record |
| 134 | Diawara | Manthia | The Nature of Mother in "Dreaming Rivers" | 1991 | Full Record |
| 15 | Diawara | Manthia | The Absent One: The Avant-Garde and the Black Imaginary in "Looking for Langston" | 1991 | Full Record |
| 357 | Diawara | Manthia | Power and Territory: The Emergence of Black British Film Collectives | 1993 | Full Record |
| 90 | Diawara, ed. | Manthia | Black British Cultural Studies: A Reader | 1996 | Full Record |
| 136 | Donald, ed. | James | Race, Culture and Difference | 1992 | Full Record |
| 16 | Duffield | Mark R. | New Racism ... New Realism: Two Sides of the Same Coin | 1984 | Full Record |
| 137 | During, ed. | Simon | The Cultural Studies Reader | 1993 | Full Record |
| 138 | Dyer | Richard | White | 1988 | Full Record |
| 522 | Dyer | Richard | Aesthetic | 1999 | Full Record |
| 139 | Dyer | Richard | White: Essays on Race and Culture | 1997 | Full Record |
| 582 | Eleftheriotis | Dimitris | Cultural Difference and Exchange: A Future for European Film | 2000 | Full Record |
| 574 | Elke | Birgit | Hybride Kulturen: Die postkoloniale Identitätsdebatte im 'Black British Film' | 2003 | Full Record |
| 140 | Ellis | John | Broadcasting and the State: Britain and the Experience of Channel 4 | 1986 | Full Record |
| 558 | Etienne | Treva | Colouring the Face of British Television | 2000 | Full Record |
| 92 | Fenton, ed. | Steve | Ethnicity, Gender and Social Change | 1999 | Full Record |
| 144 | Ferguson | Bob | Education, Race and the Media | 1983 | Full Record |
| 145 | Fiske | John | Television Cultures: Popular Pleasures and Politics | 1987 | Full Record |
| 146 | Floyd | Leela | Ethnic Music and Media Education | 1983 | Full Record |
| 503 | Folarin | Adeola | Respectable Trade | 1997/98 | Full Record |
| 517 | Folarin | Adeola | The Girl with Brains in her Feet | 1998 | Full Record |
| 328 | Fountain | Alan | Channel 4 and Black Independents | 1988 | Full Record |
| 147 | Frachon, ed. | Claire | European Television: Immigrants and Ethnic Minorities | 1995 | Full Record |
| 148 | Friedman, ed. | Lester D. | Unspeakable Images: Ethnicity and the American Cinema | 1991 | Full Record |
| 149 | Fryer | Peter | Staying Power: The History of Black People in Britain | 1984 | Full Record |
| 377 | Fuller | Karla | Canvassing the Field | 1997 | Full Record |
| 326 | Fusco | Coco | The Other is In: Black British Film in the US | 1988 | Full Record |
| 73 | Fusco | Coco | About Locating Ourselves and Our Representations (Third Scenario: Theory & The Politics of Location) | 1989 | Full Record |
| 406 | Fusco | Coco | An Interview with Black Audio Film Collective | 1988 | Full Record |
| 434 | Fusco | Coco | Young, British and Black: The Work of Sankofa and Black Audio Film Collective | 1988 | Full Record |
| 34 | Fyle | Chenaii A. | Black Cinema in Britain: What Way Forward? (Interview) | 1994 | Full Record |
| 7 | Gabriel | John | Gurinder Chadha and The 'Apna' Generation: Black British Film in the 1990s (Interview) | 1994 | Full Record |
| 152 | Gaines | Jane | White Privilege and Looking Relations: Race and Gender in Feminist Film Theory | 1988 | Full Record |
| 17 | Gardner, ed. | Carl | Racism, Anti-Racism and Access Television: The Making of 'Open Door' | 1979 | Full Record |
| 122 | Gardner, ed. | Carl | It Aint Half Racist, Mum: Fighting Racism in the Media | 1982 | Full Record |
| 18 | George | Saffi | Ngozi Onwurah ... and still rising (Interview) | 1994 | Full Record |
| 591 | Gerber | Dawn | The Next Generation | 1998 | Full Record |
| 565 | Gerber | Dawn | Newton's Lore | 1998 | Full Record |
| 58 | Gerson, ed. | Jane | The Colour Black: Black Images in British Television | 1989 | Full Record |
| 537 | Ghani | Atif | Projecting the Diaspora | 1994 | Full Record |
| 22 | Ghosh | Bishnupriya | The Cinema of Displacement: Towards a Politically Motivated Poetics | 1995/96 | Full Record |
| 592 | Gillespie | Marie | From Comic Asians to Asian Comics: Combating Intolerance through TV Comedy | 2001 | Full Record |
| 163 | Gilroy | Paul | The Politics of Culture (Part 1 of 3) | 1999 | Full Record |
| 19 | Gilroy | Paul | Unwelcome | 1995 | Full Record |
| 159 | Gilroy | Paul | The Art of Darkness: Black Art and the Problem of Belonging to England | 1990 | Full Record |
| 160 | Gilroy | Paul | It Ain't Where You're At...: The Dialects of Diasporic Identification | 1991 | Full Record |
| 161 | Gilroy | Paul | Small Acts: Thoughts on the Politics of Black Cultures | 1993 | Full Record |
| 162 | Gilroy | Paul | The Black Atlantic: Modernity and Double Consciousness | 1993 | Full Record |
| 20 | Gilroy | Paul | C4: Bridgehead or Bantustan | 1983 | Full Record |
| 329 | Gilroy | Paul | Nothing But Sweat Inside my Hand: Diaspora Aesthetics and Black Arts in Britain | 1988 | Full Record |
| 157 | Gilroy | Paul | There Ain't No Black in the Union Jack | 1987 | Full Record |
| 390 | Givanni | June | African Countries | 1995 | Full Record |
| 376 | Givanni | June | Dream Aloud | 1995 | Full Record |
| 361 | Givanni | June | In Circulation: Black Films in Britain | 1988 | Full Record |
| 471 | Givanni | June | Return to the Beloved Country | 1994 | Full Record |
| 3 | Givanni | June | Black Film-Making in Europe | 1988 | Full Record |
| 473 | Givanni | June | Dramatic License/License Dramatic | 1994 | Full Record |
| 494 | Givanni | June | Blackpool's Bhaji | 1993 | Full Record |
| 164 | Givanni | June | Black Film and Video List | 1992 | Full Record |
| 458 | Givanni | June | Future Features | 1995 | Full Record |
| 496 | Givanni | June | Horace Ové: Reflection on a Thirty Year Experience | 1996 | Full Record |
| 21 | Givanni | June | Black and Independent | 1993 | Full Record |
| 165 | Givanni, ed. | June | Remote Control: Dilemmas of Black Intervention in British Film & TV | 1995 | Full Record |
| 445 | Glynn | Martin | Whose Image Is It Anyway? | 2001 | Full Record |
| 167 | Goulbourne | Harry | Race Relations in Britain since 1945 | 1998 | Full Record |
| 490 | Gould | Gaylene | Into the Reel World | 1993 | Full Record |
| 480 | Gould | Gaylene | Africa International | 1994 | Full Record |
| 479 | Gould | Gaylene | Redressing the Balance | 1994 | Full Record |
| 473 | Gould | Gaylene | Dramatic License/License Dramatic | 1994 | Full Record |
| 554 | Gould | Gaylene | Short, Black & Curly | 1995 | Full Record |
| 556 | Gould | Gaylene | Interview with Filmmaker Danny Thompson | 1995 | Full Record |
| 495 | Gould | Gaylene | By Any Means Necessary | 1993 | Full Record |
| 524 | Grant | Cheryl | Bradford's Bite The Mango Asian and African Film Festival | 1999 | Full Record |
| 393 | Greater London | Council | Policing London: Collected Reports of the GLC Police Committee Support Unit | 1986 | Full Record |
| 392 | Greater London | Council | Rastafarianism in Greater London | 1984 | Full Record |
| 391 | Greater London | Council | Ethnic Minorities and the Abolition of the GLC | 1984 | Full Record |
| 23 | Grossberg | Lawrence | The In-Difference of Television | 1987 | Full Record |
| 24 | Grundmann | Roy | Black Nationhood and the Rest in the West: An Interview with Isaac Julien | 1995 | Full Record |
| 42 | Guillen | Gus | The Great Babylonian Broadcasting Conspiracy | 1983 | Full Record |
| 405 | Gutzmore | Cecil | Ceddo: The People's Account | 1988 | Full Record |
| 28 | Hall | Stuart | Cultural Identity and Diaspora | 1990 | Full Record |
| 29 | Hall | Stuart | New Ethnicities | 1996 | Full Record |
| 172 | Hall | Stuart | Song of Handsworth Praise | 1987 | Full Record |
| 174 | Hall | Stuart | Cultural Identity and Cinematic Representation | 1989 | Full Record |
| 175 | Hall | Stuart | The Hard Road to Renewal: The Crisis of Thatcherism | 1990 | Full Record |
| 362 | Hall | Stuart | Minimal Selves | 1996 | Full Record |
| 363 | Hall | Stuart | The Question of Cultural Identity | 1992 | Full Record |
| 364 | Hall | Stuart | What Is This 'Black' in Black Popular Culture? | 1996 | Full Record |
| 593 | Hall | Stuart | A Rage in Harlesden | 1998 | Full Record |
| 176 | Hall, ed. | Stuart | New Times: The Changing Face of Politics in the 1990s | 1990 | Full Record |
| 173 | Hall, ed. | Stuart | The Politics of Thatcherism | 1983 | Full Record |
| 177 | Hall, ed. | Stuart | Representation: Cultural Representations and Signifying Practices | 1997 | Full Record |
| 171 | Hall, et al., eds. | Stuart | Culture, Media, Language: Working Papers in Cultural Studies, 1972-79 | 1980 | Full Record |
| 467 | Hanif | Mohammed | Can't Beat Home-Cooked Programming | 1999 | Full Record |
| 178 | Hannerz | Ulf | Transnational Connections: Culture, People, Places | 1996 | Full Record |
| 192 | Harris, ed. | Clive | Inside Babylon: The Caribbean Diaspora in Britain | 1993 | Full Record |
| 531 | Harry | Allister | Human Traffic | 1999 | Full Record |
| 27 | Hashmi | Asif | The Buddha of Suburbia | 1993/94 | Full Record |
| 26 | Hashmi | Asif | Wild West | 1993 | Full Record |
| 30 | Hayward | Susan | Racial Discourse in UK Politics and Media | 1997 | Full Record |
| 365 | Heimbucher | Achim | Britische Film-Workshops | 1987 | Full Record |
| 31 | Henriques | Julian | Black Artists, White Institutions | 1986 | Full Record |
| 401 | Henriques | Julian | Realism and the New Language | 1988 | Full Record |
| 573 | Henriques | Julian | Babymother (Combined dialogue and continuity script) | 1998 | Full Record |
| 17 | Henry | Margaret | Racism, Anti-Racism and Access Television: The Making of 'Open Door' | 1979 | Full Record |
| 443 | Hepp | Andreas | Cultural Studies und Medienanalyse | 1999 | Full Record |
| 45 | Herridge | Peter | Television, the 'Riots' and Research | 1983 | Full Record |
| 108 | Hickman, ed. | Mary J. | Thinking Identities: Ethnicity, Racism and Culture | 1999 | Full Record |
| 182 | Hill | John | The British 'Social Problem' Film: Violent Playground and Sapphire | 1985 | Full Record |
| 395 | Hobsbawm, ed. | Eric | The Invention of Tradition | 1983 | Full Record |
| 451 | Holden | Stephen | 'Babymother': Mommy the Drudge by Day, Dancehall Diva by Night | 2000 | Full Record |
| 32 | Holte | James Craig | Unmelting Images: Film, Television and Ethnic Stereotyping | 1984 | Full Record |
| 210 | Hooks | Bell | States of Desire: An Interview with Isaac Julien | 1991 | Full Record |
| 186 | Hooks | Bell | Black Looks: Race and Representation | 1992 | Full Record |
| 185 | Hooks | Bell | Talking Back: Thinking Feminist, Thinking Black | 1989 | Full Record |
| 74 | Hooks | Bell | Choosing the Margin as a Space of Radical Openness (Third Scenario: Theory & The Politics of Location) | 1989 | Full Record |
| 594 | Hooks | Bell | Stylish Nihilism: Race, Sex and Class at the Movies | 1990 | Full Record |
| 365 | Hörmann | Günther | Britische Film-Workshops | 1987 | Full Record |
| 187 | Horrox | Alan | Our People | 1979 | Full Record |
| 500 | Hughes | Helen | Windfall Films | 1997/98 | Full Record |
| 509 | Hughes | Helen | It Could Be You | 1997 | Full Record |
| 33 | Husband | Charles | General Introduction: Ethnicity and Media Democratization within the Nation State | 1994 | Full Record |
| 190 | Husband | Charles | Mass Media, Communication Policy and Ethnic Minorities | 1986 | Full Record |
| 191 | Husband | Charles | Minorities, Mobility and Communication in Europe: Research and Policy Paper, No. 2 | 1992 | Full Record |
| 189 | Husband, ed. | Charles | White Media and Black Britain: A Critical Look at the Role of Media in Race Relations Today | 1975 | Full Record |
| 612 | Hussein | Abdullah | Downfall by Degrees and other Stories | 1987 | Full Record |
| 193 | Hussein | Ali | Market Forces and the Marginalization of Black Film and Video Production in the United Kingdom | 1994 | Full Record |
| 412 | Hutchison | Robert | Cable Television: The Unanswered Questions | 1983 | Full Record |
| 397 | Institute of Race | Relations | Policing against Black People | 1987 | Full Record |
| 554 | Iqbal | Javaid | Short, Black & Curly | 1995 | Full Record |
| 50 | Jackson | Lynne | The Passion of Remembrance: An Interview with Martina Attille and Isaac Julien | 1988 | Full Record |
| 51 | Jackson | Lynne | Young, British and Black | 1988 | Full Record |
| 173 | Jacques, ed. | Martin | The Politics of Thatcherism | 1983 | Full Record |
| 176 | Jacques, ed. | Martin | New Times: The Changing Face of Politics in the 1990s | 1990 | Full Record |
| 366 | Jaggi | Maya | The Final Passage: An Interview with Writer Caryl Phillips | 2000 | Full Record |
| 540 | Jamal | Mahmood | A Hair in the Gate | 1994 | Full Record |
| 223 | Jamal | Mahmood | Dirty Linen | 1988 | Full Record |
| 192 | James, ed. | Winston | Inside Babylon: The Caribbean Diaspora in Britain | 1993 | Full Record |
| 291 | Jayamanne | Laleen | Burning an Illusion | 1986 | Full Record |
| 564 | Jess | Michael Khesumaba | TV Coverage: Too Little Too Late | 1998 | Full Record |
| 204 | Jessop | Bob | Thatcherism: A Tale of Two Nations | 1988 | Full Record |
| 205 | Jones | Clement | Race and the Media: Thirty Years' Misunderstanding | 1982 | Full Record |
| 251 | Jones | Graham | Simon Onwurah | 1997 | Full Record |
| 25 | Jones | Graham | Michael Hakata | 1997 | Full Record |
| 127 | Jones, ed. | Trevor | Policing the Riots | 1982 | Full Record |
| 208 | Julien | Isaac | Race, Sexual Politics and Black Masculinity: A Dossier | 1988 | Full Record |
| 52 | Julien | Isaac | De Margin and De Centre | 1996 | Full Record |
| 48 | Julien | Isaac | Dialogues with Stuart Hall | 1996 | Full Record |
| 212 | Julien | Isaac | Black Is... Black Ain't: Notes on De-essentializing Black Identities | 1992 | Full Record |
| 211 | Julien | Isaac | Diary of a Young Soul Rebel | 1991 | Full Record |
| 213 | Kapo | Remi | A Savage Culture: Racism, a Black British View | 1992 | Full Record |
| 398 | Katznelson | Ira | Black Men, White Cities: Race, Politics, and Migration in the United States, 1900-1930, and Britain, 1948-1960 | 1973 | Full Record |
| 215 | Kavanagh, ed. | David | The Thatcher Effect | 1989 | Full Record |
| 416 | Kay | Jeremy | Ethnic Film Programming: Jeremy Kay in conversation with Cary Sawhney | 1999 | Full Record |
| 53 | Kepel | Giles | Foreword: Between Society and Community: Muslims in Britain and France Today | 1995 | Full Record |
| 216 | Kerridge | Roy | Real Wicked, Guy: A View of Black Britain | 1983 | Full Record |
| 217 | Khan | Naseem | The Arts Britain Ignores: The Arts of Ethinc Minorities in Britain | 1976 | Full Record |
| 5 | Khan | Naseem | Book Review: Kwesi Owusu. "The Struggle for Black Arts in Britain: What Can We Consider Better Than Freedom" | 1986 | Full Record |
| 468 | Khan | Naseem | The Shared Space: Cultural Diversity and the Public Domain | 2002 | Full Record |
| 76 | Khan | Pervaiz | Black and White: Interview with John Akomfrah | 1992 | Full Record |
| 576 | Korte | Barbara | Bidding for the Mainstream? Black and Asian British Film since the 1990s | 2004 | Full Record |
| 425 | Korte | Barbara | Generationsbewußtsein als Element 'schwarzer' britischer Identitätsfiktion | 1999 | Full Record |
| 218 | Korte, ed. | Barbara | Unity in Diversity Revisited: British Literature and Culture in the 1990s | 1998 | Full Record |
| 365 | Kraft | Wetzel | Britische Film-Workshops | 1987 | Full Record |
| 219 | Kureishi | Hanif | My Beautiful Laundrette and The Rainbow Sign | 1986 | Full Record |
| 222 | Kureishi | Hanif | London Kills Me | 1991 | Full Record |
| 221 | Kureishi | Hanif | England Bloody England | 1988 | Full Record |
| 220 | Kureishi | Hanif | Sammy and Rosie Get Laid: The Script and the Diary | 1988 | Full Record |
| 224 | Lambert | Stephen | Channel Four: Television with a Difference? | 1982 | Full Record |
| 577 | Lanning | Greg | Television History Workshop Project No 1: The Brixton Tapes | 1981 ? | Full Record |
| 225 | Larkin | Alile Sharon | Black Women Filmmakers Defining Ourselves: Feminism in Our Own Voice | 1988 | Full Record |
| 492 | Lawson | David | Sharks & Charlatans | 1993 | Full Record |
| 226 | Leahy | Jaines | Time and Judgement | 1989 | Full Record |
| 442 | Ledent | Bénédicte | Caryl Phillips | 2002 | Full Record |
| 478 | Lee | Kolton | Rising from the Ashes: The Making of "Phoenix" | 1996 | Full Record |
| 460 | Lee | Kolton | American Mod | 2000 | Full Record |
| 459 | Leo | Paul André | Six stories, 24 hours, all summed up in Brixton's melting pot, that's SW 9 | 2000 | Full Record |
| 430 | Lewis | Caroline | A Private Enterprise | 1974 | Full Record |
| 227 | Lewis | Justin | Art, Culture and Enterprise: The Politics of Art and the Cultural Industries | 1990 | Full Record |
| 379 | Lindeborg | Ruth H. | Questions of Language: Gililan Swanson, Carole Enahoro, Lina Gopaul, Frank Abbott | 1988 | Full Record |
| 90 | Lindeborg | Ruth H. | Black British Cultural Studies: A Reader | 1996 | Full Record |
| 229 | Longfellow | Brenda | The Body Beautiful | 1992 | Full Record |
| 230 | Lovell | Alan | That Was the Workshop That Was | 1990 | Full Record |
| 595 | Luyken | Reiner | Gut gemixt und doch getrennt | 2001 | Full Record |
| 506 | Maan | Shakila | Journey Without End | 1996 | Full Record |
| 546 | Maan | Shakila | Guru in Seven | 1999 | Full Record |
| 108 | Mac an Ghaill, ed. | Máirtín | Thinking Identities: Ethnicity, Racism and Culture | 1999 | Full Record |
| 211 | MacCabe | Colin | Diary of a Young Soul Rebel | 1991 | Full Record |
| 325 | MacCabe | Colin | Black Film in 80s Britain | 1988 | Full Record |
| 604 | Macpherson | Sir William | The Stephen Lawrence Inquiry | 1999 | Full Record |
| 417 | MacShane | Denis | Reporting Race | 1979 | Full Record |
| 529 | Magdalene | Carol | Distribution | 1999 | Full Record |
| 551 | Magdalene | Carol | White Tribe: Difference Doesn't Make a Difference Anymore | 2000 | Full Record |
| 54 | Malik | Sarita | Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s | 1996 | Full Record |
| 549 | Malik | Sarita | East is East | 2000 | Full Record |
| 613 | Malik | Sarita | Representing Black Britain: A History of Black and Asian Images on British Television | 2002 | Full Record |
| 427 | Malik | Sarita | Money, Macpherson and Mind-Set: The Competing Cultural and Commercial Demands on Black and Asian British Films in the 1990s | 2002 | Full Record |
| 523 | Malik | Sarita | Research | 1999 | Full Record |
| 497 | Malik | Sarita | The Perennial Search for Identity | 1996 | Full Record |
| 234 | Malik | Sarita | The New Multiculturalism: Interview with Yasmin Anwar | 1997 | Full Record |
| 539 | Malik | Sarita | Beyond Identity: British Asian Film | 1994 | Full Record |
| 542 | Malik | Sarita | Let's Not Talk About It | 1994 | Full Record |
| 55 | Marks | Laura | Ghosts of Stories: Black Audio Film Collective's "Who Needs a Heart" | 1995 | Full Record |
| 465 | Marks | Naomi | Total Eclipse or More Fun? | 1999 | Full Record |
| 236 | Martin | Michael T. | Framing the 'Black' in Black Diasporic Cinemas | 1995 | Full Record |
| 488 | Massiah | Louis | Using Archives US/UK | 1993/94 | Full Record |
| 601 | McGrath | Melanie | Babymother | 1998 | Full Record |
| 239 | Membery | York | East is Best | 1999 | Full Record |
| 486 | Mercer | Kobena | US/UK Perspectives | 1993/94 | Full Record |
| 324 | Mercer | Kobena | Recoding Narratives of Race and Nation | 1988 | Full Record |
| 248 | Mercer | Kobena | Diaspora Culture and the Dialogic Imagination: The Aesthetics of Black Independent Film in Britain | 1988 | Full Record |
| 244 | Mercer | Kobena | Welcome to the Jungle: New Positions in Black Cultural Studies | 1994 | Full Record |
| 243 | Mercer | Kobena | Black Art and the Burden of Representation | 1990 | Full Record |
| 241 | Mercer | Kobena | Introduction, Sexual Identities: Questions of Difference: A Panel Discussion With Gayatri Spivak, Jacqueline Rose, Kobena Mercer and Angela McRobbie | 1986 | Full Record |
| 208 | Mercer | Kobena | Race, Sexual Politics and Black Masculinity: A Dossier | 1988 | Full Record |
| 56 | Mercer | Kobena | Dark and Lovely Too: Black Gay Men in Independent Film | 1993 | Full Record |
| 52 | Mercer | Kobena | De Margin and De Centre | 1996 | Full Record |
| 581 | Mercer | Kobena | Third Cinema at Edinburgh: Reflections on a Pioneering Event | 1986 | Full Record |
| 323 | Mercer, ed. | Kobena | Black Film, British Cinema (ICA Documents 7) | 1988 | Full Record |
| 245 | Mirza, ed. | Heidi Safia | Black British Feminism: A Reader | 1997 | Full Record |
| 438 | Mishra | Vijay | Bollywood Cinema: Temples of Desire | 2002 | Full Record |
| 435 | Modood | Tariq | Changing Ethnic Identities | 1994 | Full Record |
| 59 | Moore-Gilbert | Bart | London in Hanif Kureishi's Films: Hanif Kureishi in Interview with Bart Moore-Gilbert | 1999 | Full Record |
| 35 | Morley | David | Bounded Realms: Household, Family, Community and Nation | 1999 | Full Record |
| 372 | Morley, ed. | David | What's This Channel Fo(u)r? An Alternative Report | 1982 | Full Record |
| 424 | Moseley-Wood | Rachel | Colonisin Englan in Reverse: Julian Henriques' "Babymother" | 2001 | Full Record |
| 483 | Moyston | Victoria | Women Warriors | 1993/94 | Full Record |
| 218 | Müller, ed. | Klaus Peter | Unity in Diversity Revisited: British Literature and Culture in the 1990s | 1998 | Full Record |
| 476 | Mullings | Elaine | Transmission Impossible | 1996 | Full Record |
| 195 | Myant | Chris | Television and Racial Equality: How the Race Relations Act Has Helped | 1995 | Full Record |
| 36 | Naficy | Hamid | Between Rocks and Hard Places: The Interstitial Mode of Production in Exilic Cinema | 1999 | Full Record |
| 552 | Naidoo | Roshi | Cutting Edge: Argi Bhaji | 2000 | Full Record |
| 48 | Nash | Mark | Dialogues with Stuart Hall | 1996 | Full Record |
| 603 | Nobil | Ali | Is "East" ... East? | 1999/200 | Full Record |
| 449 | Norfolk | Mark | UK - What Distribution? | 2002 | Full Record |
| 545 | Ogidi | Ann | Speak Like a Child | 1999 | Full Record |
| 99 | Ohri, ed. | Sushel | Britain's Black Population: A New Perspective | 1988 | Full Record |
| 252 | Onyekachi | Wambu | A Fuller Picture: The Commercial Impact of Six British Films with Black Themes in the 1990s | 1999 | Full Record |
| 253 | Ousley | H. | A Different Reality: An Account of Black People's Experiences and Their Grievances Before and After the Handsworth Rebellions of September 1985 | 1986 | Full Record |
| 6 | Owusu | Kwesi | The Struggle for Black Arts in Britain. Kwesi Owusu replies to Naseem Khan. | 1986 | Full Record |
| 259 | Owusu, ed. | Kwesi | Black British Culture and Society: A Text Reader | 2000 | Full Record |
| 261 | Pally | Marcia | Kureishi Like a Fox | 1986 | Full Record |
| 37 | Pappas | Peter | Blacks Britannica: An Interview with David Koff and Musindo Mwinyipembe | 1979 | Full Record |
| 262 | Parekh | Bhikhu | Rethinking Multiculturalism: Cultural Diversity and Political Theory | 2000 | Full Record |
| 102 | Parekh, ed. | Bhikhu | Race Relations in Britain: A Developing Agenda | 1998 | Full Record |
| 265 | Parmar | Pratibha | Black Feminism: The Politics of Articulation | 1990 | Full Record |
| 402 | Paskin | Sylvia | Going to Meet the Man | 1988 | Full Record |
| 266 | Pearson | D.G. | Race, Class and Political Activism: A Study of West Indians in Britain | 1981 | Full Record |
| 267 | Petley | Julian | Testament | 1989 | Full Record |
| 475 | Pettaway | Lincoln | A Tale of Transitions | 1994 | Full Record |
| 60 | Phillips | Caryl | Black and White Television | 1986 | Full Record |
| 269 | Phillips | Caryl | A Dream Deferred: Fifty Years of Caribbean Migration to Britain | 1999 | Full Record |
| 441 | Phillips | Mike | London Crossings: A Biography of Black Britain | 2001 | Full Record |
| 270 | Phillips | Mike | At Home in England | 1998 | Full Record |
| 271 | Phillips | Mike | Windrush: The Irresistible Rise of Multi-Racial Britain | 1998 | Full Record |
| 194 | Phillips | Trevor | UK TV: A Place in the Sun? | 1995 | Full Record |
| 271 | Phillips | Trevor | Windrush: The Irresistible Rise of Multi-Racial Britain | 1998 | Full Record |
| 466 | Phillips | Trevor | The Colour of Commissioning | 1999 | Full Record |
| 272 | Phillips-Eteng | E. | Black British Consumer Markets: A Guide to Afro-Caribbean and Asian Markets in the UK | 1988 | Full Record |
| 273 | Pilkington | Andrew | Racial Disadvantage and Ethnic Diversity in Britain | 2000 | Full Record |
| 63 | Pines | Jim | Territories: Interview with Isaac Julien | 1985 | Full Record |
| 38 | Pines | Jim | Representation and Blacks in British Cinema | 1991 | Full Record |
| 61 | Pines | Jim | British Cinema and Black Representation | 1997 | Full Record |
| 62 | Pines | Jim | Blacks in Films: The British Angle | 1981 | Full Record |
| 274 | Pines | Jim | The Study of Racial Images: A Structural Approach | 1977 | Full Record |
| 275 | Pines | Jim | The Passion of Remembrance: Background Interview with Sankofa | 1986 | Full Record |
| 276 | Pines | Jim | Black Independent Film in Britain: Historical Overview | 1988 | Full Record |
| 277 | Pines | Jim | Introduction to the Black Workshops | 1988 | Full Record |
| 331 | Pines | Jim | Channel 4: A Pandora's Box for Blacks? Interview with Sue Woodford | 1983 | Full Record |
| 199 | Pines | Jim | The Cultural Context of Black British Cinema | 1996 | Full Record |
| 404 | Pines | Jim | Interview with Sankofa Film Collective | 1988 | Full Record |
| 407 | Pines | Jim | Black on Black: Interview with Trevor Phillips | 1983 | Full Record |
| 408 | Pines | Jim | Eastern Eye: Interview with Samir Shah | 1983 | Full Record |
| 409 | Pines | Jim | From Skin to Ebony: Interview with Lincoln Browne | 1983 | Full Record |
| 411 | Pines | Jim | Equality, the Media and the Union: Interview with Sandra Horne | 1983 | Full Record |
| 413 | Pines | Jim | BMWA: Campaigning and Organising in the Media | 1983 | Full Record |
| 278 | Pines, ed. | Jim | Questions of Third Cinema | 1989 | Full Record |
| 64 | Pines, ed. | Jim | Black and White in Colour: Black People in British Television since 1936 | 1992 | Full Record |
| 279 | Pratt | Mary Louise | Imperial Eyes: Travel Writing and Transculturation | 1992 | Full Record |
| 569 | Prescod | Marsha | Black Brits in Hollywood | 2001 | Full Record |
| 65 | Quart | Leonard | The Politics of Irony: The Frears-Kureishi Films | 1994 | Full Record |
| 512 | Qureshi | Irtiza | Fundamental Truths | 1997 | Full Record |
| 99 | Radical Statistics Race Group | Britain's Black Population: A New Perspective | 1988 | Full Record | |
| 432 | Ramachandran | Naman | Bigger than Bollywood | 2002 | Full Record |
| 395 | Ranger, ed. | Terence | The Invention of Tradition | 1983 | Full Record |
| 50 | Rasenberger | Jean | The Passion of Remembrance: An Interview with Martina Attille and Isaac Julien | 1988 | Full Record |
| 51 | Rasenberger | Jean | Young, British and Black | 1988 | Full Record |
| 538 | Rashid | Ian | Blasted Categories | 1994 | Full Record |
| 136 | Rattansi, ed. | Ali | Race, Culture and Difference | 1992 | Full Record |
| 312 | Reading, ed. | Anna | The Media in Britain: Current Debates and Developments | 1999 | Full Record |
| 456 | Rebhandl | Bert | Elfmetersieg | 2002 | Full Record |
| 66 | Reeve | Andy | Racism and the Mass Media: Revising Old Perspectives | 1981 | Full Record |
| 280 | Reid | Evelyn Cauleta | Viewdata | 1989 | Full Record |
| 283 | Richards | Chris | Anti-Racist Initiatives | 1986 | Full Record |
| 284 | Richards | Jeffrey | Films and British National Identity: From Dickens to Dad's Army | 1997 | Full Record |
| 488 | Riley | Alrick | Using Archives US/UK | 1993/94 | Full Record |
| 586 | Root | Jane | Rooting for Viewers | 1999 | Full Record |
| 247 | Ross | Karen | Black and White Media: Black Images in Popular Film and Television | 1996 | Full Record |
| 421 | Ross | Karen | White Media, Black Audience: Diversity and Dissonance on British Television | 2001 | Full Record |
| 516 | Ross | Leone | Babies, Mothers, Fathers and the Dancehall | 1998 | Full Record |
| 420 | Ross, ed. | Karen | Black Marks: Minority Ethnic Audiences and Media | 2001 | Full Record |
| 287 | Rushdie | Salman | Imaginary Homelands | 1991 | Full Record |
| 286 | Rushdie | Salman | Songs Doesn't Know the Score | 1987 | Full Record |
| 560 | Russell | Avril | Babyfather | 2001 | Full Record |
| 288 | Rutherford, ed. | Jonathan | Identity: Community, Culture, Difference | 1990 | Full Record |
| 371 | Saakana | Amon Saba | Channel Four and the Black Community | 1982 | Full Record |
| 67 | Sabratnam | Shirani | Six of the Best | 1993 | Full Record |
| 69 | Sabratnam | Shirani | Frontline: Meera Syal (Interview) | 1994 | Full Record |
| 289 | Sadhana | Ghose | Black Media Workers' Association | 1983 | Full Record |
| 102 | Sanders, ed. | Peter | Race Relations in Britain: A Developing Agenda | 1998 | Full Record |
| 484 | Sandhu | Shaminder | Third Cinema Focus | 1993/94 | Full Record |
| 22 | Sarkar | Bhaskar | The Cinema of Displacement: Towards a Politically Motivated Poetics | 1995/96 | Full Record |
| 291 | Sayer | Sally | Burning an Illusion | 1986 | Full Record |
| 112 | Scafe | Suzanne | The Heart of the Race: Black Women's Lives in Britain | 1985 | Full Record |
| 292 | Schiffauer | Werner | Europäische Ängste - Metaphern und Phantasmen im Diskurs der Neuen Rechten in Europa | 1995 | Full Record |
| 294 | Schlesinger | Peter | Media, State and Nation: Political Violence and Collective Identities | 1991 | Full Record |
| 293 | Schlesinger | Peter | Media, the Political Order and National Identity | Full Record | |
| 295 | Segal | Ronald | The Black Diaspora | 1995 | Full Record |
| 215 | Selden, ed. | Anthony | The Thatcher Effect | 1989 | Full Record |
| 570 | Shabazz | Menelik | Welcome | 1998 | Full Record |
| 563 | Shabazz | Menelik | Interview with Julian Henriques on "Babymother" | 1998 | Full Record |
| 81 | Shang | Anthony | Television in a Multiracial Society: A Research Report | 1982 | Full Record |
| 602 | Sharma | Sanjay | East is East | 2000 | Full Record |
| 70 | Sheffer | Gabriel | The Emergence of New Ethno-National Diasporas | 1995 | Full Record |
| 463 | Shepherd | Claire | All Dressed Up and.... | 1999 | Full Record |
| 299 | Shohat | Ella | Unthinking Eurocentrism: Multiculturalism and the Media | 1994 | Full Record |
| 588 | Sidney | Carol | Interview with Caryl Phillips | 2000 | Full Record |
| 454 | Sir Norman Chester Centre | for Football Research | Factsheet 4: Black Footballers in Britain | 2001 | Full Record |
| 302 | Sivanandan | A. | Communities of Resistance: Writings on Black Struggles for Socialism | 1990 | Full Record |
| 305 | Small | Stephen | Racialised Barriers: The Black Experience in the United States and England in the 1980s | 1994 | Full Record |
| 518 | Smith | Joy | On the Edge | 1996 | Full Record |
| 330 | Snead | James A. | Black Independent Film: Britain and America | 1988 | Full Record |
| 306 | Soja | Edward W. | Postmodern Geographies: The Reassertation of Space in Critical Social Theory | 1994 | Full Record |
| 307 | Sollors, ed. | Werner | Theories of Ethnicity: A Classical Reader | 1996 | Full Record |
| 308 | Solomos | John | Race and Racism in Contemporary Britain | 1989 | Full Record |
| 309 | Solomos, ed. | John | Theories of Race and Racism: A Reader | 1999 | Full Record |
| 311 | Spivak | Gayatri Chakravorty | The Post-Colonial Critic: Interviews, Strategies, Dialogues | 1990 | Full Record |
| 310 | Spivak | Gayatri Chakravorty | In Praise of "Sammy and Rosie Get Laid" | 1989 | Full Record |
| 71 | St. Hill | Dionne | Black Cable TV Is Here: An Interview with Managing Director Petra Bernard | 1993 | Full Record |
| 299 | Stam | Robert | Unthinking Eurocentrism: Multiculturalism and the Media | 1994 | Full Record |
| 555 | Stein | Mark | Hat sich der Wind gedreht? | 1998 | Full Record |
| 457 | Sternberg | Claudia | Mike Phillips on Migration, Inventing Europe and his Novel "A Shadow of Myself": An Interview | 2001 | Full Record |
| 576 | Sternberg | Claudia | Bidding for the Mainstream? Black and Asian British Film since the 1990s | 2004 | Full Record |
| 312 | Stokes, ed. | Jane | The Media in Britain: Current Debates and Developments | 1999 | Full Record |
| 313 | Stone | Norman | Through a Lens Darkly | 1988 | Full Record |
| 314 | Storry, ed. | Mike | British Cultural Identities | 1997 | Full Record |
| 315 | Street | Sarah | British National Cinema | 1997 | Full Record |
| 66 | Stubbs | Paul | Racism and the Mass Media: Revising Old Perspectives | 1981 | Full Record |
| 316 | Subervi-Vélez | F. | The Mass Media and Ethnic Assimilation and Pluralism | 1986 | Full Record |
| 318 | Sutcliffe, ed. | David | The Language of Black Experience: Cultural Expression Through Word and Sound in the Caribbean and Black Britain | 1986 | Full Record |
| 470 | Synmoie | Donovan | The People's Choice | 1996 | Full Record |
| 319 | Tajfel, ed. | Henri | Social Identity and Intergroup Relations | 1982 | Full Record |
| 320 | Tarr | Carrie | Sapphire, Darling and the Boundaries of Permitted Pleasure | 1985 | Full Record |
| 321 | Taylor | Clyde | Black Cinema in the Post-aesthetic Era | 1989 | Full Record |
| 400 | The Runnymede | Trust | Britain's Black Population: The Runnymede Trust and the Radical Statistics Race Group | 1982 | Full Record |
| 332 | Thomas | Helen | Black on White: Textual Spaces in Black Britain | 1999 | Full Record |
| 75 | Thompson | Felix | Metaphors of Space: Polarization, Dualism and Third World Cinema | 1993 | Full Record |
| 333 | Tomlinson | John | Cultural Imperialism: a Critical Introduction | 1992 | Full Record |
| 374 | Tonkin | Boyd | Confessions of a Tease | 1999 | Full Record |
| 555 | Torti | Carola | Hat sich der Wind gedreht? | 1998 | Full Record |
| 334 | Troyna | Barry | Public Awareness and the Media: A Study of Reporting on Race | 1981 | Full Record |
| 422 | Tsagarousiano | Roza | Ethnic Minority Media Audiences, Community and Identity: The Case of London's South Asian and Greek Cypriot Communities | 2001 | Full Record |
| 335 | Tulloch | John | Television Drama: Agency, Audience and Myth | 1990 | Full Record |
| 336 | Tumber | Howard | Television and the Riots | 1982 | Full Record |
| 337 | Twitchin, ed. | John | The Black and White Media Book: Handbook for the Study of Racism and Television | 1988 | Full Record |
| 437 | Tyrrell | Heather | Bollywood in Britain | 1998 | Full Record |
| 338 | Ugwu, ed. | Catherine | Let's Get It On: The Politics of Black Performance | 1995 | Full Record |
| 147 | Vargaftig, ed. | Marion | European Television: Immigrants and Ethnic Minorities | 1995 | Full Record |
| 340 | Vasta, ed. | Ellie | Citizenship, Community and Democracy | 2000 | Full Record |
| 341 | Vieler-Porter | Chris | Black and Third Cinema: Film and TV Bibliography | 1991 | Full Record |
| 596 | Vir | Parminder | From Bollywood to Britain | 2001 ? | Full Record |
| 435 | Virdee | Satnam | Changing Ethnic Identities | 1994 | Full Record |
| 37 | Wallace | Melanie | Blacks Britannica: An Interview with David Koff and Musindo Mwinyipembe | 1979 | Full Record |
| 501 | Wambu | Onyekachi | Digital Revolution | 1997/98 | Full Record |
| 498 | Wambu | Onyekachi | Black in Focus | 1997/98 | Full Record |
| 477 | Wambu | Onyekachi | Reporting Black | 1996 | Full Record |
| 342 | Wambu, ed. | Onyekachi | Empire Windrush: Fifty Years of Writing About Black Britain | 1998 | Full Record |
| 418 | Warner | Keith Q. | On Location: Cinema and Film in the Anglophone Caribbean | 2000 | Full Record |
| 428 | Wegg-Prosser | Victoria | The Mangrove Nine | 1973 | Full Record |
| 343 | Westwood | Sallie | Gendering Diaspora: Space, Politics and South Asian Masculinities in Britain | 1995 | Full Record |
| 344 | White | Armond | Racing Ahead | 1988 | Full Record |
| 345 | Willemen | Paul | The Third Cinema Question | 1994 | Full Record |
| 278 | Willemen, ed. | Paul | Questions of Third Cinema | 1989 | Full Record |
| 347 | Williams | Patrick | Imaged Communities: Black British Film in the Eighties and Nineties | 1996 | Full Record |
| 346 | Williams | Patrick | Triumph of the Will? An Interview with Eddie George | 1996 | Full Record |
| 197 | Williamson | Judith | Two Kinds of Otherness: Black Film and the Avant-Garde | 1996 | Full Record |
| 611 | Willis | Paul | Common Culture: Symbolic Work at Play in the Everyday Cultures of the Young | 1990 | Full Record |
| 349 | Wilson | Amrit | Finding a Voice: Asian Women in Britain | 1984 | Full Record |
| 429 | Wilson | David | Images of Britain | 1974 | Full Record |
| 318 | Wong, ed. | Ansel | The Language of Black Experience: Cultural Expression Through Word and Sound in the Caribbean and Black Britain | 1986 | Full Record |
| 350 | Yearwood, ed. | Gladstone L. | Black Cinema Aesthetics: Issues in Independent Black Filmmaking | 1982 | Full Record |
| 322 | Young | Lola | Fear of the Dark: 'Race', Gender and Sexuality in the Cinema | 1996 | Full Record |
| 351 | Young | Robert | Colonial Desire: Hybridity in Theory, Culture and Race | 1995 | Full Record |
| 127 | Young, ed. | Jack | Policing the Riots | 1982 | Full Record |
| 352 | Yousaf | Nahem | Hanif Kueishi and 'The Brown Man's Burden' | 1996 | Full Record |
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