| Author 1: | Hamid Naficy | |
| Title: | Between Rocks and Hard Places: The Interstitial Mode of Production in Exilic Cinema | |
| Published in: | Home, Exile, Homeland: Film, Media, and the Politics of Place | |
| Edited by: | Hamid Naficy, ed. | |
| Place: | New York/London | |
| Publisher: | Routledge | |
| Year: | 1999 | |
| Vol./No./Date: | ||
| Pages: | 125-147 | |
| Location: | TABB | |
| Synopsis: | This article examines the interstitial mode of film production and looks at the relationship between forces of production and social relations in exilic and diasporic films. It compares dominant modes of cultural production (e.g. Hollywood films) and alternative and emergent modes and focuses on exile cinema - as 'alternative' cinema with special practices, as a site of in-between-ness and in relation to mainstream cinema. | |
| Keyword 1: | non-mainstream | |
| Keyword 2: | film industry | |
| Keyword 3: | filmmaking | |
| Keyword 4: | mainstream | |
| Keyword 5: | diaspora | |
| Keyword 6: | film | |
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