| Author 1: | Heinz Antor | |
| Title: | Contrast, Hybridity, and the Other: "Sammy and Rosie Get Laid" as Contemporary Postcolonial Critique | |
| Published in: | European Cinema Inside Out: Images of the Self and the Other in Postcolonial European Film | |
| Edited by: | Guido Rings, Rikki Morgan-Tamosunas, eds. | |
| Place: | Heidelberg | |
| Publisher: | Winter | |
| Year: | 2003 | |
| Vol./No./Date: | ||
| Pages: | 135-151 | |
| Location: | TABB | |
| Synopsis: | Close reading of "Sammy and Rosie Get Laid" with reference to postcolonial theory. Heinz Antor argues that the film uses both sharp contrasts and subtle hybridizations in order to tackle the issue of alterity in the contemporary metropolis. | |
| Keyword 1: | Hanif Kureishi | |
| Keyword 2: | colonialism | |
| Keyword 3: | Britain | |
| Keyword 4: | otherness | |
| Keyword 5: | Stephen Frears | |
| Keyword 6: | postcolonialism | |
| Keyword 7: | black British film | |
| Film Reference 1: | Sammy and Rosie Get Laid | |
pr