| Author 1: | Sarita Malik | |
| Author 2: | Sarita Malik | |
| Title: | Money, Macpherson and Mind-Set: The Competing Cultural and Commercial Demands on Black and Asian British Films in the 1990s | |
| Published in: | Journal of Popular British Cinema | |
| Edited by: | ||
| Place: | ||
| Publisher: | ||
| Year: | 2002 | |
| Vol./No./Date: | 5 | |
| Pages: | 90-103 | |
| Location: | TABB | |
| Synopsis: | Malik's article reflects on some of the institutional issues involved in relation to black and Asian feature films in the 1990s. She relates the demise of institutional commitment and funding, limited distribution opportunities and the failure of the 'new commercialism' to successfully assimilate or encourage black-produced work as part of British national cinema. | |
| Keyword 1: | cultural diversity | |
| Keyword 2: | black filmmaking | |
| Keyword 3: | black British film | |
| Keyword 4: | black | |
| Keyword 5: | television | |
| Keyword 6: | Britain | |
| Keyword 7: | politics | |
| Keyword 8: | East is East | |
| Keyword 9: | production | |
| Keyword 10: | filmmaking | |
| Keyword 11: | mainstream | |
| Keyword 12: | British Film Institute | |
| Keyword 13: | film industry | |
| Keyword 14: | funding | |
| Keyword 15: | Channel Four | |
| Keyword 16: | Asian | |
| Keyword 17: | economy | |
| Keyword 18: | British film | |
| Keyword 19: | distribution | |
| Film Reference 1: | Babymother | |
| Film Reference 2: | East is East | |
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