| Author 1: | Leonard Quart | |
| Title: | The Politics of Irony: The Frears-Kureishi Films | |
| Published in: | Re-Viewing British Cinema, 1900-1992: Essays and Interviews | |
| Edited by: | Wheeler Winston Dixon, ed. | |
| Place: | Albany | |
| Publisher: | State University of New York Press | |
| Year: | 1994 | |
| Vol./No./Date: | ||
| Pages: | 241-248 | |
| Location: | TABB | |
| Synopsis: | The article examines the collaboration of director Stephen Frears and screenwriter Hanif Kureishi in "My Beautiful Laundrette" and "Sammy and Rosie Get Laid". Focuses on Frears's and Kureishi's ambiguous and ironic perspective on society. | |
| Keyword 1: | Hanif Kureishi | |
| Keyword 2: | Stephen Frears | |
| Keyword 3: | representation | |
| Keyword 4: | society | |
| Keyword 5: | Asian | |
| Keyword 6: | London | |
| Film Reference 1: | Sammy and Rosie Get Laid | |
| Film Reference 2: | My Beautiful Laundrette | |
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