| Author 1: | Reece Auguiste | |
| Title: | Black Independents and Third Cinema: The British Context | |
| Published in: | Questions of Third Cinema | |
| Edited by: | Jim Pines, Paul Willemen, ed. | |
| Place: | London | |
| Publisher: | British Film Institute | |
| Year: | 1989 | |
| Vol./No./Date: | ||
| Pages: | 212-217 | |
| Location: | FB Neuphilologie: HE 528.033 | |
| Synopsis: | This article investigates the state of black independent film in relation to the British cultural industries and asks if the history and contemporary engagements of black film-makers constitute Third Cinema practice in Britain. Auguiste argues that Third Cinema in its classical dimension does not exist in Britain and claims that "the issue is that of producing new forms of aesthetics, of visual styles and experimentation with clear-cut political and social objectives of an art form so young as the cinema." (217) | |
| Keyword 1: | black British film | |
| Keyword 2: | black | |
| Keyword 3: | Britain | |
| Keyword 4: | Third Cinema | |
| Keyword 5: | film | |
| Keyword 6: | history | |
| Keyword 7: | aesthetics | |
| Keyword 8: | arts | |
| Keyword 9: | film industry | |
| Keyword 10: | politics | |
| Keyword 11: | identity | |
| Keyword 12: | black filmmaking | |
| Keyword 13: | independent film | |
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