| Author 1: | Kobena Mercer | |
| Title: | Recoding Narratives of Race and Nation | |
| Published in: | Black Film, British Cinema (ICA Documents 7) | |
| Edited by: | Kobena Mercer, ed. | |
| Place: | London | |
| Publisher: | Institute of Contemporary Arts | |
| Year: | 1988 | |
| Vol./No./Date: | ||
| Pages: | 4-14 | |
| Location: | FB Neuphilologie: OG 850.036 | |
| Synopsis: | This article discusses the changes which have occurred in black independent film-making in the 1980s. Mercer focuses primarily on the historical formation of black films and the 'burden of representation'. | |
| Keyword 1: | 1980s | |
| Keyword 2: | representation | |
| Keyword 3: | black filmmaking | |
| Keyword 4: | history | |
| Keyword 5: | Britain | |
| Keyword 6: | black British film | |
| Keyword 7: | non-mainstream | |
| Keyword 8: | film theory | |
| Keyword 9: | film | |
| Keyword 10: | aesthetics | |
| Keyword 11: | workshop | |
| Keyword 12: | black filmmaking | |
| Keyword 13: | Isaac Julien | |
| Keyword 14: | John Akomfrah | |
| Keyword 15: | Maureen Blackwood | |
| Keyword 16: | Horace Ové | |
| Keyword 17: | independent film | |
| Film Reference 1: | Passion of Remembrance | |
| Film Reference 2: | Playing Away | |
| Film Reference 3: | Handsworth Songs | |
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