| Author 1: | Sarita Malik | |
| Title: | Beyond 'The Cinema of Duty'? The Pleasures of Hybridity: Black British Film of the 1980s and 1990s | |
| Published in: | Dissolving Views: Key Writings on British Cinema | |
| Edited by: | Andrew Higson, ed. | |
| Place: | London/New York | |
| Publisher: | Cassell | |
| Year: | 1996 | |
| Vol./No./Date: | ||
| Pages: | 202-215 | |
| Location: | TABB; FB Neuphilologie: OG 850.077 | |
| Synopsis: | Malik traces the development of black British film by examining the struggles which led to the emergence of a distinct black film movement in Britain in the mid-1980s. Additionally, Malik discusses the economic, political and cultural shifts which have occurred since the 1980s. She provides a historical survey on issues of blackness, the specificity of British Asian film and the 'populism' of recent productions. | |
| Keyword 1: | black British film | |
| Keyword 2: | independent film | |
| Keyword 3: | mainstream | |
| Keyword 4: | representation | |
| Keyword 5: | Britain | |
| Keyword 6: | British cinema | |
| Keyword 7: | history | |
| Keyword 8: | film industry | |
| Keyword 9: | black filmmaking | |
| Keyword 10: | Asian | |
| Keyword 11: | non-mainstream | |
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