| Author 1: | Kobena Mercer | |
| Title: | Diaspora Culture and the Dialogic Imagination: The Aesthetics of Black Independent Film in Britain | |
| Published in: | Blackframes: Critical Perspectives on Black Independent Cinema | |
| Edited by: | Mbye B. Cham, Claire Andrade-Watkins, eds. | |
| Place: | London | |
| Publisher: | The MIT Press | |
| Year: | 1988 | |
| Vol./No./Date: | ||
| Pages: | 50-62. | |
| Location: | FB Neuphilologie: OG 850.038 | |
| Synopsis: | The contribution demands a departure from 'realistic' forms of representation and pleas for 'dialogic' aesthetics. | |
| Keyword 1: | black British film | |
| Keyword 2: | realism | |
| Keyword 3: | non-mainstream | |
| Keyword 4: | Mikhail Bakhtin | |
| Keyword 5: | representation | |
| Keyword 6: | aesthetics | |
| Keyword 7: | community | |
| Keyword 8: | black | |
| Keyword 9: | black filmmaking | |
| Keyword 10: | independent film | |
| Keyword 11: | Britain | |
| Keyword 12: | John Akomfrah | |
| Film Reference 1: | Handsworth Songs | |
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